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TRI ET FILTRES
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Vous avez sélectionné:
Let's Get It Started - Aux Percussion
Partitions à imprimer
9 partitions trouvées
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Let's Get It Started
Mallet Percussion - Interactive Download SKU: HX.1285441 By The Black Eyed Peas. Th…
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Mallet Percussion - Interactive Download SKU: HX.1285441 By The Black Eyed Peas. This edition: Interactive Download,scorch. Pop. Mallet Solo. 2 pages. Hal Leonard - Digital #87337. Published by Hal Leonard - Digital (HX.1285441).
$2.99
2.79 €
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The Black Eyed Peas
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Let's Get It Started
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Hal Leonard - Digital
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SheetMusicPlus
Black Eyed Peas: Let's Get It Started - mallet solo (Percussion)
Percussion
Instantly printable sheet music by Black Eyed Peas for mallet solo (Percussion) of MEDIUM …
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Instantly printable sheet music by Black Eyed Peas for mallet solo (Percussion) of MEDIUM skill level. / pop
$4.97
4.64 €
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Percussion
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Black Eyed Peas
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Virtualsheetmusic
Let's Get It Started - Multiple Bass Drums
Batterie
By Black Eyed Peas. By Will Adams, Jaime Gomez, Allan Pineda, George Pajon Jr., Michael Fr…
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By Black Eyed Peas. By Will Adams, Jaime Gomez, Allan Pineda, George Pajon Jr., Michael Fratantuno, and Terence Yoshiaki. Arranged by Paul Murtha. Marching band. For Multiple Bass Drums. Hip-Hop; Pop. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.6 €
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Batterie
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Black Eyed Peas
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Paul Murtha
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Pop
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Let's Get It Started - Multiple Bass Drums
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Let's Get It Started - Snare Drum
Percussion
By Black Eyed Peas. By Will Adams, Jaime Gomez, Allan Pineda, George Pajon Jr., Michael Fr…
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By Black Eyed Peas. By Will Adams, Jaime Gomez, Allan Pineda, George Pajon Jr., Michael Fratantuno, and Terence Yoshiaki. Arranged by Paul Murtha. Marching band. For Snare Drum. Hip-Hop; Pop. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.6 €
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Percussion
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Black Eyed Peas
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Paul Murtha
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Pop
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Let's Get It Started - Snare Drum
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Let's Get It Started - Cymbals
Percussion
By Black Eyed Peas. By Will Adams, Jaime Gomez, Allan Pineda, George Pajon Jr., Michael Fr…
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By Black Eyed Peas. By Will Adams, Jaime Gomez, Allan Pineda, George Pajon Jr., Michael Fratantuno, and Terence Yoshiaki. Arranged by Paul Murtha. Marching band. For Cymbals. Hip-Hop; Pop. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.6 €
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Percussion
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Black Eyed Peas
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Paul Murtha
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Pop
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Let's Get It Started - Cymbals
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Let's Get It Started - Bells/Xylophone
Xylophone
By Black Eyed Peas. By Will Adams, Jaime Gomez, Allan Pineda, George Pajon Jr., Michael Fr…
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By Black Eyed Peas. By Will Adams, Jaime Gomez, Allan Pineda, George Pajon Jr., Michael Fratantuno, and Terence Yoshiaki. Arranged by Paul Murtha. Marching band. For Bells/Xylophone. Hip-Hop; Pop. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.6 €
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Xylophone
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Black Eyed Peas
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Paul Murtha
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Pop
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Let's Get It Started - Bells/Xylophone
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
El Condor Pasa (If I Could)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
14 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Daniel Alomia Robles, Jorge Milchberg, and Paul Simon
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Changing Seasons
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1106328 Composed by Colin G Dance. 20th Century,Classical. Brass Band. 62 pages. Dance is With Music #709446. Published by Dance is With Music (A0.1106328). Hereâs a new piece I've written that Iâve called âChanging Seasonsâ because the mood and musical style changes throughout the piece. Itâs not too difficult, but there is a tricky little modulation in there! I started piece this back in 2021 but didnât get past the introduction, but due to a condition Iâm not going into here Iâve had a lot of time sat at home near a toilet recently so Iâve been able to spend more time working on it!
$75.00
70 €
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Colin G Dance
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Changing Seasons
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Dance is With Music
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SheetMusicPlus
Tiny Shattered Pieces
Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By…
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Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By Evelyn Glennie. By Eugene Astapov. 21st Century,Chamber,Classical,Contemporary. 26 pages. EAMUSIC #843160. Published by EAMUSIC (A0.1248663). Composing Tiny Shattered Pieces was a truly immersive musical journey due to the sheer amount of time it took to write it and how much time I spent thinking about this piece. Since the work was commissioned before the start of the 2020 pandemic, but rescheduled for a premiere 2 years later â I could write, re-write and re-think this piece from start to finish multiple times. In the end there was enough material for a 30-minute composition, but so much of it was so different due to the different moods one would go through during a pandemic, that compiling it into 5 separate short musical statements was the most natural conclusion.   The music embarks on a journey of discovery, love, destruction, reconciliation, suffering, and by the end of it â war. Naturally at the end of a 2-year period a person evolves and goes through a myriad of different experiences, but few artists or composers experienced the world going through a tectonic shift from the early 2000s until now, therefore I felt it necessary to touch upon many different topics through the language of this work, including the personal and the universal. Each of the movements is a complete statement but together the movements form a larger pyramid-like structure, completing each otherâs thoughts, propelling them and eventually bringing them to conclusion.    It should be noted that by the time I was reaching the end of the compositional process â a major war started with Russia invading Ukraine. Being a Ukrainian-born composer, the issue affected me deeply and sipped into the music by the end of the 4th movement. This is where the pyramid reaches its peak and should be appropriately shaped by the musicians.   The piece is approximately 10 minutes in duration and is to be performed with utmost freedom, gusto and conviction. The performers must not shy away from making the sounds crunch together, piercing through the hall, but at the same time the more quiet, gentle parts should be appropriately shaped and bring much needed comfort. The work is about contrasts, outbursts of emotions, quiet sobbing, rage and solitude.  The piece is approximately 12 minutes long. It was commissioned by Dame Evelyn Glennie in cooperation with Calgary's Land's End Ensemble.
$25.00
23.33 €
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Evelyn Glennie
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Tiny Shattered Pieces
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EAMUSIC
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SheetMusicPlus
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